Wednesday, January 19, 2011
Production Shots
Chris Durr and I are remaking 'Truly Meant' into a short movie-- 10min ish Here are some stills and lo-cal shots.
Monday, November 29, 2010
videohhh
The filming is done for my current short film in collaboration with Chris.
I'm gunna put several links that you can go and check out the progression of things if you'd like.
----Test Footage
----Work/Play Day
----First Run
----Behind the Scenes Cory crashing through window
These are just short flip You-tube videos that we took for documentation purposes during the past few weeks.
The process of making this whole short has been pretty amazing. The financial struggles of scraping together materials, and finding daylight hours to construct and plan each element of the hall were if anything, exhausting. Chris and I have put about a grand into the creation of the actual structure, but the man power from friends and relatives; as well as ourselves is unmeasurable.
Ive learned a lot about compromise, and time management what it means to collaborate 100%. Chris has been an amazing partner to have in this project and i am so grateful for all of the hours he has put in to making this piece happen. ilu
We have a lot of retouching and sound re-doing that needs to happen before the scene can be called 'finished' but i know that my body is relieved that the majority of the action scenes are done.
Being in this hall was such a task, but it made the idea of 'acting' idiot proof. I would have a task, or goal to accomplish in a scene and then i would react as needed to tables falling, feet slipping, books breaking or curtains blocking my view; while also trying to keep Chris following me with the camera and make sure i was in his focal range for the shot. It sounds complicated, and it was/is we would have to stop after every take and reset all the props and let my feet warm up, or wipe blood of my legs. ( we were filming during 30 degree weather so i would start shaking and shivering when i wasn't being tossed about. the floor boards in the hardwood floors would get pulled up and scrape my knees and shins causing gashes that would bleed through my costume so we had to stop periodically until they stopped.)
Yeah i know, I'm a B.A.
I think the hardest part of being in there was trying not to anticipate the blow i knew was CONSTANTLY coming. there was a rocking pattern that i tried to ignore and focus on my body's reaction to the space rather than the space effecting my body. which is a difficult thing to do... rather than moving a chair so its out of your way the space moved me out of the way so a chair could fit. Its strange to feel so helpless when everything else has so much power. It in a way, was very humbling.
Our short will be shown at the DF end of semester show, as well as final critique on monday.
THANK YOU TO:
Chris Yager, Kat, Josh, Nick, Mitchell, Shane, Brandon, Jason, Mike D., Frank, Joe F, Gary Durr, Alex Durr, London Durr, Carol-Dan-Tayler-Sarah Hinesley, Jessica Pretti, Pete Whiteman,----- and im sure a ton of other people im forgetting at the moment.
We couldn't have done this without you.
I'm gunna put several links that you can go and check out the progression of things if you'd like.
----Test Footage
----Work/Play Day
----First Run
----Behind the Scenes Cory crashing through window
These are just short flip You-tube videos that we took for documentation purposes during the past few weeks.
The process of making this whole short has been pretty amazing. The financial struggles of scraping together materials, and finding daylight hours to construct and plan each element of the hall were if anything, exhausting. Chris and I have put about a grand into the creation of the actual structure, but the man power from friends and relatives; as well as ourselves is unmeasurable.
Ive learned a lot about compromise, and time management what it means to collaborate 100%. Chris has been an amazing partner to have in this project and i am so grateful for all of the hours he has put in to making this piece happen. ilu
We have a lot of retouching and sound re-doing that needs to happen before the scene can be called 'finished' but i know that my body is relieved that the majority of the action scenes are done.
 |
| This is 1 of 67 large contusions on my body, courtesy of the hallway/furniture |
Being in this hall was such a task, but it made the idea of 'acting' idiot proof. I would have a task, or goal to accomplish in a scene and then i would react as needed to tables falling, feet slipping, books breaking or curtains blocking my view; while also trying to keep Chris following me with the camera and make sure i was in his focal range for the shot. It sounds complicated, and it was/is we would have to stop after every take and reset all the props and let my feet warm up, or wipe blood of my legs. ( we were filming during 30 degree weather so i would start shaking and shivering when i wasn't being tossed about. the floor boards in the hardwood floors would get pulled up and scrape my knees and shins causing gashes that would bleed through my costume so we had to stop periodically until they stopped.)
Yeah i know, I'm a B.A.
I think the hardest part of being in there was trying not to anticipate the blow i knew was CONSTANTLY coming. there was a rocking pattern that i tried to ignore and focus on my body's reaction to the space rather than the space effecting my body. which is a difficult thing to do... rather than moving a chair so its out of your way the space moved me out of the way so a chair could fit. Its strange to feel so helpless when everything else has so much power. It in a way, was very humbling.
Our short will be shown at the DF end of semester show, as well as final critique on monday.
THANK YOU TO:
Chris Yager, Kat, Josh, Nick, Mitchell, Shane, Brandon, Jason, Mike D., Frank, Joe F, Gary Durr, Alex Durr, London Durr, Carol-Dan-Tayler-Sarah Hinesley, Jessica Pretti, Pete Whiteman,----- and im sure a ton of other people im forgetting at the moment.
We couldn't have done this without you.
Friday, November 5, 2010
excuses excuses...
I have to admit i disgust myself with my lack of updates on all of my contributing blogs. such as...
(shameless self promotion)
subtle//uncontrollable
as well as,
The Collective
I have submerged myself in a project that is exciting and time consuming. But i think in the end it will seriously turn out to be a huge step in my image making process.
I'm working on a short film with Chris Durr, That is referencing ideas related to synchronization and actions that we make that can effect them. Here's a short blurb from Chris's blog were we explain more.
"As humans we encounter coincidences synchronistic with our thoughts. Now take that a step further and suppose these synchronicities are attempting to guide you somewhere. You may ask where? Or why? The more you ask these questions, or the more attention you feed this idea with - the more these synchronicities answer in regard to your own personal mission. Knowing our personal mission seems to enhance the flow of mysterious coincidences as we are guided to our destinies. First we have a question; then dreams, daydreams and intuitions that lead us toward the answers which are usually synchronistical provided by the wisdom of another human being. The right person shows up right place at the right time, right"
Branching off from these ideas Chris and I plan to create a visual metaphor for the energies that we effect when we make a decision. To do this we are constructing a practical hallway were a girl is taken over by the energies she exerts into the space. literally... The hallway will be reacting physically by the use of levers, lifts, and human force, tossing the actor throughout the space.
So far in the pre-production of this piece we have gathered like... uh.. 80% of our materials and we can finally start seeing the frame of our hall.
PICS!
Anyway the interior will be decorated in a timeless sort of Victorian motif, with satin wallpaper and hardwood floors. it should be pretty amazing.
Stay tuned for more details at the film develops.
(shameless self promotion)
subtle//uncontrollable
as well as,
The Collective
I have submerged myself in a project that is exciting and time consuming. But i think in the end it will seriously turn out to be a huge step in my image making process.
I'm working on a short film with Chris Durr, That is referencing ideas related to synchronization and actions that we make that can effect them. Here's a short blurb from Chris's blog were we explain more.
"As humans we encounter coincidences synchronistic with our thoughts. Now take that a step further and suppose these synchronicities are attempting to guide you somewhere. You may ask where? Or why? The more you ask these questions, or the more attention you feed this idea with - the more these synchronicities answer in regard to your own personal mission. Knowing our personal mission seems to enhance the flow of mysterious coincidences as we are guided to our destinies. First we have a question; then dreams, daydreams and intuitions that lead us toward the answers which are usually synchronistical provided by the wisdom of another human being. The right person shows up right place at the right time, right"
Branching off from these ideas Chris and I plan to create a visual metaphor for the energies that we effect when we make a decision. To do this we are constructing a practical hallway were a girl is taken over by the energies she exerts into the space. literally... The hallway will be reacting physically by the use of levers, lifts, and human force, tossing the actor throughout the space.
So far in the pre-production of this piece we have gathered like... uh.. 80% of our materials and we can finally start seeing the frame of our hall.
PICS!
 | ||
| to scale model of hallway (10 inches by 2.5) |
 |
| this is the base of our hall, 3 8-foot rockers that are supported by 2x8s and ply wood. |
Stay tuned for more details at the film develops.
Sunday, September 12, 2010
Retrospectin'
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| Work: 'Fables' collaboration with Brandon Frederick, 'Playing House Series', and 'Friday Night' |
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| An archive of 250 cell phone pictures |
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| Work: 'The Easter Bunny', 3 images from 'The Hills' Series, a few pieces of work from my travel abroad trip to France, 'About it's own making', 'The Tree House', and 2 portrait studies. |
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| Work: two 35mm images i took in the 4th grade |
 | |
| Work: close up of Cell pictures |
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| Work: more cell pictures |
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| First Wall |
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| Work: 'Real Men Magazine covers' |
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| Add caption |
 |
| second wall |
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| Cell phone wall |
This is just visuals of my retrospective. i'll add text later.
Tuesday, September 7, 2010
For class Wednesday
http://www.sarahsudhoff.com/portfolios/38111-irepositoryi
Titles and Untitles.
http://frederikheyman.com/wp/photography/the-weather-project/
Titles and Untitles.
http://frederikheyman.com/wp/photography/the-weather-project/
Wednesday, August 25, 2010
SHIT man.
So, theres this photographer that i stalk Julie Blackmon.
And i no longer can keep her to myself.
Her black and white work is delicious.
"The struggle between living in the moment versus escaping to another reality is intense since these two opposites strive to dominate. I believe there are moments that can be found throughout any given day that bring sanctuary. It is in finding these moments amidst the stress of the everyday that my life as a mother parallels my work as an artist, and where the dynamics of family life throughout time seem remarkably unchanged. As an artist and as a mother, I believe life’s most poignant moments come from the ability to fuse fantasy and reality: to see the mythic amidst the chaos."
I feel like i deal with the same types of things when creating work. In the past my work has been focused on the moment of a situation, where the climax of an event is occurring and i capture the instant the subject gets caught in the current of the actions. I feel that over the summer my emotions have turned more to the direction of calm, yet poignant moments. The calm before/after the storm, if you will, creating a momental 'sanctuary' like Blackmon referred to.
And i no longer can keep her to myself.
Her black and white work is delicious.
"The struggle between living in the moment versus escaping to another reality is intense since these two opposites strive to dominate. I believe there are moments that can be found throughout any given day that bring sanctuary. It is in finding these moments amidst the stress of the everyday that my life as a mother parallels my work as an artist, and where the dynamics of family life throughout time seem remarkably unchanged. As an artist and as a mother, I believe life’s most poignant moments come from the ability to fuse fantasy and reality: to see the mythic amidst the chaos."
I feel like i deal with the same types of things when creating work. In the past my work has been focused on the moment of a situation, where the climax of an event is occurring and i capture the instant the subject gets caught in the current of the actions. I feel that over the summer my emotions have turned more to the direction of calm, yet poignant moments. The calm before/after the storm, if you will, creating a momental 'sanctuary' like Blackmon referred to.
Friday, August 13, 2010
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